How Long Will A Weave Stay In For?

Opening of the Biennial of 2010 to CART


BIENNALE PREMIO ARTEMISIA 2010
rassegna nazionale di pittura figurativa contemporanea
con mostra omaggio a Claudio Cintoli

a cura di Stefano Tonti

in catalogo testi di Paola Ballesi, Silvia Bartolini, Andrea Bozzi, Loretta Fabrizi, Elisa Sellari, Giada Simonetti, Stefano Tonti.


Al CART - Art Documentation Centre - Falconara Marittima (An)

from 18 December 2010 to January 30, 2011


Opening Saturday, December 18, 2010, 17:30

with contributions from Loretta Fabrizi and Stefano Tonti

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The Hands of Time

In the rare moments when I think about how best to employ I think my hands at the time and sometimes he gave me his hand to walk by. I think of my stubborn disbelief, how I shake my head when I think something is too much for me to leave my hand there.
To my mistakes, and finally to the fact that I call them that.
and then come to think of how best to use my hands, hoping that the face time a discount now and then, turning back ITS hands. Somehow.

Wedding Personalized Chapstick

The American way

I know that this year is the last because I feel it. I feel the beginning of the end, the wonderful feeling of having to attend to, of having too many things to do in just 24 hours, every 24 hours.
What I feel is the certainty of knowing what to do next. A wise friend told me something enlightening in its 'banality': "You are a graduate in Medicine and Surgery."
And I love them both, medicine and surgery. And I love not having enough time to make peace with both, I love that time flies and I love doing things right. I like broken bones, I like the mess in my belly, I love to manage the chaos. And that's the american
way.

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Artemisia Prize winning works in the Biennial Award Show

In Anticipation of the exhibition show the winners of the 2010 Biennial Award Artemisia.

winning artist

Anila Shapalaku

(section A)

Marionette , 2010, acrylic on paper, 96x200 cm

Paolo Di Rosa

(section A)

plan reading , 2010, mixed media on canvas, 150x100 cm

Elena Giustozzi

(section B)

Eyes II, 2009, oil on canvas, cm 80x100

What Happens When You Wash Faux Leather

Artemisia Artemisia

It opens Saturday, November 6, 2010 at 17:00 in the Mole in Ancona Vanvitelliana the exhibition with works by artists who won the fourth and final edition of the BIENNALE Artemisia Award, which will follow the awards of winning artists expected in the morning at 11.00 am in the Council Chamber of the City of Ancona in the presence of the authorities.

is to put in evidence that the current edition of the Biennale Prize Artemisia devotes a significant tribute show to one of the most important Italian artists of the Second World War, Claudio Cintoli , who represented 70s facing a line of conceptual art. The protagonist of Italian art in the late Fifties and the Seventies, with her being restless, generous waist and was the author of an artistic experience who has traveled the road to the hyperreal Dadaism. In this exhibition, perhaps for the first time, faced an almost systematic study of the production strictly figurative artist that has characterized the poetry and the work throughout his career. Recently there is renewed interest around the work and the figure of Claudio Cintoli which, in recent years have been dedicated major exhibitions.

Vanvitelliana The Mole will be on display a path of figurative works from the artist's first sketches of the works painted in hyper key, the last graphite drawings. The

catalog of the exhibition, curated by Stefano Tonti, Edizioni Artemisia, p. 152 a colori, contiene una ricca serie di immagini delle opere della Biennale con biografia degli artisti e con testi di Silvia Bartolini, Andrea Bozzi, Loretta Fabrizi, Elisa Sellari. Il saggio critico sull’opera figurativa di Claudio Cintoli, è curato da Paola Ballesi e la scheda critico – biografica sull’artista è di Giada Simonetti. Nel catalogo sono pubblicate le opere dell’artista esposte alla Mole.

Ancona – Mole Vanvitelliana

dal 6 novembre al 12 dicembre 2010

Orario: tutti i giorni 17.00 – 19.30.

Sabato e domenica 10.00 - 12.30 e 17.00 – 19.30.

closed Monday.

Information:

Artemisia Art Association, Via Nino Bixio, 39-60015 Falconara M. (AN)

Tel & Fax 071 9175795. e-mail: artemisia.jesi @ tin.it - \u200b\u200bwww.artemisiacontemporanea.it

Marche Fairs ERF, Largo della Fiera, 11-60125 Ancona

071 58 971 - Fax 071 5897213. e-mail: info@erf.it - \u200b\u200bwww.erf.it

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Biennale Prize WINNERS OF THE 2010 BIENNIAL AWARD ARTEMISIA ARTEMISIA

National Exhibition of contemporary figurative painting

THE WINNERS OF

The Jury of the Biennale Prize Artemisia 2010, held Saturday, Oct. 23 at the rooms of the Mole Vanvitelliana of Ancona, in respect of the technical-scientific in the notice of the Competition Award Artemisia BIENNIAL 2010, at the conclusion of the evaluation work has identified (among the finalists for the Chamber A and the finalists for Section B), the artist winner of the 2010 artist Artemisia Artemisia Young Award winner and the other artists of the respective Special Awards winners.

For the quality of work, research and interpretation of the figure, the jury has seen fit to award the prize Artemisia 2010 ex aequo to Paolo Di Rosa Lainate, (I) and to Anila Shapalaku (born in Durres in Albania) and resident of Urbino. It 'won the Prize for Young Elena Giustozzi of Monte San Giusto (MC).

The other Special Prizes were awarded to: Barbara Bonfilio , Turin, Giorgio Celon , Vimodrone (I); Hernan Chava, Porto Recanati (Mc); Gianpiero De Gruttola , Avellino; Domenico Gattuso , Saronno (Va); Arianna Marinelli, Sant'Angelo in Vado (PU); Giancarlo Petrini, Loreto (An). Given the participation

Artemisia Biennial Prize 2010 by artists recognized and declared thick and high professionalism, even the protagonists of historical events in contemporary art, the jury awarded the Golden Plate - Special Jury Prize at Paola Gandolfi .


Composition of Commission:

- Paola Ballesio, art historian, professor of Aesthetics at the Academy of Fine Arts of Brera, Milan;
- Luigi Carboni, artist, professor of painting at the Academy of Fine Arts of Urbino ;
- Loretta Fabrizi, art historian, professor of history at the Academy of Fine Arts of Macerata;
- Gaston Mariani, director of the Academy of Fine Arts of Brera, Milan;
- Stefano Papetti, art historian, Professor of Museology at the University of Camerino;
- Stefano Solimani, artist, winner of the "Critics Award" to the ARTEMISIA PRIZE 2007;
- Stefano Tonti, artist and curator, Professor of Education at the Academy of Fine Arts in Florence;
- Silvia Bartolini, Artistic Coordinator of the Association Artemisia.

What Does A Wide Converter Do

Where?

Take me where you do not need to tremble,
where I do not need brakes,
where they are not exhausted,
where the doubts are not there yet.
Take me where there is the right asphalt for my soles,
where is the horizon of all my back and all goodbye.
Take me where I want to stay where
who will also start to walk.

Black And White Print Dessy Bridesmaid

BIENNIAL AWARD 2010 National Review contemporary figurative painting - RESULTS OF THE SCHOOL OF ART AWARD

The Jury of the Biennale Prize Artemisia in 2010, held in the week between 4 and 8 October 2010 at the premises of the Regional Trade Shows di Ancona, nel rispetto delle indicazioni tecnico-scientifiche previste dal Bando di Concorso della Biennale Premio Artemisia 2010, a conclusione del lavoro di selezione di tutti gli artisti partecipanti, ha individuato i cento (100) artisti segnalati tra quelli della Sezione A e della Sezione B.

Tra questi, la suddetta Commissione, ha individuato i quaranta (40) artisti finalisti che parteciperanno alla mostra che si terrà dal 6 novembre al 12 dicembre 2010 negli spazi espositivi della Mole Vanvitelliana di Ancona.

Tra questi, dopo il giudizio sulle opere inviate, saranno scelti l’artista vincitore del Premio Artemisia 2010 e l’artista vincitore del Premio Artemisia Giovani (rispettivamente tra i finalisti delle Sections A and B), and the other artists of the respective Special Awards winners among all the finalists.

finalists participating in the show and in the catalog
Aquili Pamela	sect. B
Nicholas Barbagli	sect. B
Bellesi Joseph	sect. A
Benaiah Ennio	sect. A
Bonfili Barbara	sect. A
Bramati Simona	sect. A
Brugnoni Gianni	sez. A
Calovini Patrizia	sez. A
Celon Giorgio	sez. A
Cerolini Manuela	sez. A
Chavar Hernan	sez. B
Ciuca Madalin	sez. B
Comegna Nadia	sez. A
De Angelis Luca	sez. B
De Gruttola Gianpiero	sez. B
Di Rosa Paolo	sez. A
Duò Daniele	sect. B
Folicaldi Paola	sect. A
Francischello Louis	sect. A
Fuzzi Matthew	sect. B
Gattuso Domenico	sect. A
Silvia Giusti	sect. A
Giustozzi Elena	sect. B
Majoli Claudia	sect. A
Manzotti Stefano	sect. B
Marconi Andrea	sect. B
Marinelli Arianna	sect. B
Perla Fabio	sez. A
Petrini Giancarlo	sez. A
Pietrarossi Letizia	sez. B
Salati Augusto	sez. A
Scarpelli Martina	sez. B
Segoni Fausto	sez. A
Shapalaku Anila	sez. A
Squeo Vito Livio	sez. A
Stolzini Giacomo	sez. B
Strà Claudia	sez. A
Tamburini Giuliano	sect. A
Vadi Lorenzo	sect. B
Thomas Valenzano	sect. B
RECOMMENDED ARTISTS the catalog
Acerbi Francesca	sect. B
Sara Adorni	sect. B
Alessandrini Anna Maria	sect. A
Azzoguidi Maurizio	sect. A
Bettinelli Isabella	sect. B
Bettucci Tania	sect. A
Gaston Bianchi	sect. B
Bitonto Egidio [Egi]	sect. A
Rodrigo Blanco	sect. A
Cattle Paul	sect. A
Brachetto Cristina	sect. A
John Branciforte	sect. A
Cocciolo Richard	sect. A
Salvatore Contini	sect. A
Giuseppe Costantino	sect. B
Adele D'Ettorre	sect. A
Rodrigo Nunes De Oliveira	sect. B
Dongu Paul	sect. A
Ugo Felici	sect. A
Francesco Ferrante	sect. B
Franco Moira	sect. B
Giorgio Gabbrielli	sect. A
Giacone Valerio	sect. B
Gianni Giannini	sect. A
Sandro Giordano	sect. A
Gloriani Simona	sect. A
Kanahama Yoko	sect. B
Mary Leanza Thanks	sect. B
Lelii Marisa	sect. A
Leonetti-Luparini Simonetta	sect. A
Francesca Leoni	sect. B
Leonori Biancamaria	sect. A
Mazziale Carmine Antonio	sect. A
Mazzuoli Laura	sect. B
Mignanelli Pearl	sect. B
Massimo Nesti	sect. A
Piergiorgio Noris	sect. A
Oldano Giorgia	sect. B
Paolini Danilo	sect. A
Giuliano Pastori	sect. B
Pieralisi Giovanna	sect. B
Pierpaoli Simona	sect. A
Pistilli Alessio	sect. B
Puletti Tonino	sect. A
Rago Nanda	sect. A
Rama (Federica Marini and Rago Carmalo)	sect. B
Ezio Ranaldi	sect. A
Ricci Federica	sect. B
Romans Paul	sect. B
Rosorani Daniela	sect. A
Sanna Michele	sect. A
Sclavi	Erica sect. A
Segnan Silvia	sect. A
Serinelli Nicola	sect. A
Serra Lussorio	sect. A
Stefano Socci	sect. A
Alessandro Tesei	sect. B
Vitale Chiara	sect. B
Ivan Emilio Zanetti	sect. A
Zucchini Paola	sect. A

What Is Deadline Usmle

PTSD

Today, October 3, 2010, I worked independently in my first statistical survey of mixed populations to epidemiology. The result, in short, is that the world is populated by large share of stupid because stupidity is actually a useful mutation for survival. If not a few questions, answers, silly, sharp, but saved by drilling philosophical carriers of these genes.

Today, for example, I would have liked to be stupid.

at noon at midnight I did not think I would be breathing on their own.

I did not think I would be able to walk the sidewalks of three stations with two suitcases, and my heart heavier than their stomach. ;

I did not think I would be able to avoid asking everyone "Do you have any idea how I feel today? ".

Instead I'm here, 18 breaths per minute, arms aching, a stomach full of delicious lasagna that could very well be cardboard or glue and I did not I would noticed. I did not even bother anyone.

this uncomfortable weight remains above the diaphragm, a weight that reminds me of when I wake up every morning with a brick already laid down and did not understand why there was at least for the first 4 seconds. Then I bought the brick and local mind body, face, pain. Then I had a sixth sense.

Now I hate my seventh, he already knows with certainty what the face, what name to give this new brick, and is giving much pain. Hoping to stop soon. Hoping to stop.

Fools stop at 5 under, and I my two surplus gives them pleasure. I think I would live better.

Grey's Anatomy has shown that PTSD can manifest itself in different ways. To me it occurs with retaliation:'m one that likes to build in life. So I beak a brick on the lower esophageal sphincter.

nell'anamnesi Positive medical history, but as it is a recurrence and was found to stimulant behavior is to be defined as a manifestation scratch.

If it were a second lung cancer in a smoker who had escaped the first I'd say it's stupid.

But unfortunately I'm not stupid.

not the same brick.

And the lower esophageal sphincter is a muscle that can be trained.

Evil makes us forget that the symptoms of happiness. Too bad, was one of my favorite topics.

Dean Andersson Gain Weight

stars set

The following write it tomorrow.

Or maybe not, at this stage my intimate and serene words I do not need. Who would have thought that Laura would get to thinking about this thing ... From now, only essential words, words that I believe, of which I care about something. And the people accordingly.

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: Courses Academic Year 2010-2011

Artemisia The Art Association also organizes year courses in drawing, painting, sculpture, engraving, graphics, illustration and comics. The
presentation will take place Monday October 4, 2010 at 17:00 in the former schools Lorenzini Via Campanella No. 2 in Falconara Marittima. During this initial meeting will explain the educational structure, organization and costs.

• Course Drawing and Painting

• School of Nude

• Course Modeled and Sculpture

• History of Art

• Advanced engraving techniques

• Courses of Graphics and Illustration

• Course Comics

Also note that from September 13 to 23 hosts the exhibition of the students Artemisia course of the year 2009-2010. The exhibition can be visited in Market Hall (via N. Bixio 53) in Falconara Marittima at the following times: 10:00 to 12:30 and from 17:00 to 19:30.

Things To Know About Scottish Men

Solitude of Prime Numbers

comes a time where you have to understand if an opportunity is lost or won.
I have the numbers to win even without the desired number, when I want.

My Stomach Is Upset When I Eat?

extension of the due date of submission of Artemisia partecipazionedel Prize in Saturday, September 25, 2010 Announcement

Following requests received from
the impending expiry of the date of the registration to the ARTEMISIA
BIENNIAL PRIZE 2010, the Organizing Committee, on September 2, 2010,
has approved the extension of the deadline for submitting applications for participation
finally determined for Saturday, September 25, 2010 (starts from the date of postmark
).

remain unchanged and confirm all
other modes of participation.

We enclose, for those concerned
copy of the notice and the application form.

Below Scribd site and you can view and download the amended notice


Biennale Prize Artemisia - 2010 Invitation and registration form (extension)

Citizens Bank Nh Branches

Dad told me today that on September 2 to 27 years ago in Bagnara there was a storm of thundering those who take their visibility to three meters: Luciano and Gabriella are due to go up to him to avoid Sant'Elia parentame of crashing down the switchbacks that lead to the country. The next day was a perfect day.
The sky then lit the room where I open the photo album of leather. Images
I hit the spots of climbing on the buildings, jasmine and bouganvillae the same place today, and some faces for me out of place in that frame. A lot of people who now have the picture twice my age had fewer wrinkles than me right now, and I'd be able to go back in time Luciano physically in that moment of bliss when watching the love of his life in White advancing towards him, a lanky, bearded pinocchio in a blue lost, lost in something like contemplation.
give as much as I can, everything they have in their possession, life and happiness quel poco che di mio c'è, per fargli rivivere quell'abbaglio proprio oggi.
27 anni sono lunghi come me tra due anni. Sono lunghissimi, sebbene io finga di essere giovane.
Ma, per assurdo, 16 sono più lunghi ancora.

Dalle foto traspare che nessuno pensava che ciascuno di loro fosse un po' Damocle, che queste foto avrebbero reso loro ingiustizia agli occhi del futuro. Di sicuro quella coppia fiduciosa, complice e solida che sorride dal Belvedere di Scilla e buca di felicità la carta lucida non si aspettava così poche occasioni, così pochi sorrisi. Realisticamente, gliene fregava qualcosa del futuro?
Si direbbe però dalle lacrime che sfuggono dagli angoli delle palpebre viola che l'amore non sia something that can stop a lump in my throat, death or separation. I see that there is this curse, this fidelity and this dog's suffering.
The lump in my throat comes to me in not knowing what to wish me to live, if necessary oblivion or something too large to be rejected. But today

hands moving quickly from the keyboard to the album pages, evidence of what is the only thing that can put a bit 'to protect Luciano from all forms of pain, cruel today, it are meeting in its delta fibers. Almost an affront.

did not know that they can not have nothing against the sea and jasmine outside the matrix, against the stupid holy happiness in My mother still shines in the photos, and even now my father's face lights up.

Can I Put A Heater Under Tupperware

September 3, 1983 A song of sirens at each step

"It was the heat of a moment, then away again into the wind, the sun will rise before your eyes, behind his back a fisherman ..."

I started writing this post in my head when the pebbles in the costume were not uncomfortable enough for me to get up from where I was, immersed in the undertow every coming and going of the sea, under a perfect blue mercilessly repay me every day in which I wanted to see from a distance.
The precious moments are strung one after another like pearls, all united by a common thread gourmet from which nothing can matter.

A white T-shirt with views of Scilla glittering at sunset.
Granite and brioche, I lost count.
Grandma and her endless string of pancakes and full of years, and accusations of love.
The family is united in a common front as soon as the clouds over the horizons.
A dinner with cousins \u200b\u200bwho is a sort of cabaret.
A concert to the viewpoint that made me smile so much.
The vagaries of intelligence and Sasha, Jonathan's eyes, the smile of David, the sweet weight of Richard, who falls asleep in my arms, being satisfied of a Gaelic lullaby definitely out of tune.
Purple violent bouganvillaes of flowers everywhere.
Much of that sun that must have tanned even the bones.
The great satisfaction of a relationship that is a safe bet.
The sea swelled yesterday, to remind me that the current lead should be without fuss and then if you do not dare regret.

I could not reach any peak greater serenity, and I discovered that I was wrong during a night of drums and voices and organs and feet crushed and inventive step where I sweated nostalgia for the old to the new space: that kind of rare moments when you know you're in the right place at the right time. A

legs stretched out on the seats of regional me back in the rainy mountains of Abruzzo, the feeling is more or less the same, forse un po' più dogmatica, ma so di essere dove devo, anche se le sirene sono ormai lontane. Ubi maior, abbassano la voce... ma non ci si lega mai bene abbastanza per restare incolumi.

L'unica magia a cui non sarò mai immune è chiusa in un angolino di acqua e sassi da cui per troppo tempo resto lontana, che sempre mi abbaglia e da cui sempre troppo presto devo scappare, ancora e per sempre irretita.

‎ "...nelle braccia già di un treno  
che lasciava dietro 
un cielo da   dimenticare  
mia nonna che mi dava il cuore  
delle rondini  
"un giorno dovrai andare".  
Nuda di lacrime
lasciavo il mio   East
naked without words for my people ... "
(Mia Martini, my East)

Suite Life On Deck Clipart

Biennale Award 2010 Artemisia

L ' Artemisia Art Association is proud to publish the notice of the award this year from Artemisia two years. The prize, open to all visual artists, will expire on September 13, 2010.

Aims to research and promotion of contemporary figurative painting in Italy, one of the aims is to identify artists and young people with outstanding personal qualities and poetic techniques in the practice of painting and offer the opportunity to present a review national resonance.

The prize includes an exhibition of selected works at a venue suitable and prestigious Ancona (Mole Vanvitelliana) will include a simultaneous tribute to a great artist shows figurative '900.
The event will be accompanied by the publication of a catalog published by Edizioni Artemisia.

Biennale Prize Artemisia - 2010 Invitation and registration form

Clown Loach White Spot

Across the great

Today is one of those days where life and a thousand of its sides appear to be unfolding before my eyes.
day fatigue, a studio for a change.
day of pride, when things change.

When you switch on the other hand, nothing is like it in our lives. In our bonds, our agendas, nothing will be logistically facile come era fino a ieri.
La paura di perdersi può più di tutte le altre paure, e guasta la gioia.

Sei-otto volti senza cui tutto sarebbe stato diverso, peggiore, volti che vorrei avere nella mia vita in modo costante...e un anno e mezzo di tempo per abituarmi alla lontananza senza scadenza.
Il prezzo di una vita senza radici è che il vento mi sparpaglia via come fossi fatta di tanti piccoli pezzi. E forse è così. Tutti i volti lì a portata di braccia nello stesso momento. Non sarò mai più intera come stamani.
Forse per tutti noi è tempo di essere interi altrove ed altrimenti.

But who really wants to stay united, and the wind howling out to left. Merci les gars

.

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Sortir voile

The feeling of these days deserves a post.

Not the usual pre-exam stress, the usual paradoxical dysphagia, nausea after too much coffee. That is, there are also those, but not everything is there. Not this time.

French 4 months to say the least full. Filled with everything.

I learned that the meetings take place when per una ragione o per un'altra, non necessariamente le più ovvie, siamo al limite. Bisogna capire perchè, e dargli solo il significato che hanno, senza ricamarci su.

Ho imparato che bisogna avere amici con cui parlare in ogni posto dove si è.

Ho imparato che anche -e soprattutto- certi re-incontri/scontri seguono la stessa dinamica, ma richiedono umiltà, coraggio e di mettere in tavola tutto l'amore che c'è.  Poi però ripagano di tutto, and they do it for life.

I learned that watching a child who walks and runs straight and is more beautiful is what medicine has offered me so far. After the fear of the new road I realized there was a beautiful track, solid and hard, even if you have clinical balls to remain clinical. And never forget the words of my chef, Ne te laisse pas faire.

Laura said yes to the children apart.

I learned that no large living room, sofa, bedroom or worth the luxury of a forest swimming pool. O sea outside the window, still I think the best thing that a house can boast over the laughter of children.

I learned that a ring on his finger is not as scary as I thought, and in this case is as if there was always my perfect little bright, and that the future does not arrive in two hours, although it seems very close because there are a thousand things to do. What I still do not know to do is manage the inadequacy of background I feel for all that I had never really done so far. Type, dream with someone. Flying high.

Appena rientrata, investita da esami uno dietro l'altro, guardo l'abbronzatura scolorire tristemente e la vita riprendere il suo corso 'normale'. La bellezza di tutto ciò mi era rimasta preclusa finchè non ho sincronizzato l'orologio di fuori con il mio, e non viceversa: sono finalmente serena nel tran-tran, pronta a un anno di quelli dove dai proprio tutto. Che inizia con 4 esami in venti giorni, una cena solo io e mia sorella, un sabato con papà a Roma semplicemente per stare insieme, una vacanza in Croazia, un giro del Viso, del tempo a casa con Andrea.

E poi chissà quando, ma ci sarà, qualche giorno da nonna.

Quel mare che amo e mi manca tanto, stavolta sarà comunque da una prospettiva diversa. 

Ho preso il largo. 

Beadboard Ceiling Bathroom

Cultural tour in Berlin - Summer 2010

BERLIN AND SIGNIFICANT OTHER WONDERFUL TOWN 'FROM GERMANY

4 to 12 August 2010

The tour price is € 820.00 and includes: travel by bus driver with a double, half board, guided tours of the city. The single supplement is € 233.00.

Art Association Artemisia

Responsible tourism - cultural Luciano Mantovani.

For information and subscriptions: tel.071.888311 - 338.6924641.
e-mail: lucio-mantovani@libero.it

CULTURAL TOURS IN BERLIN

Pier One Locations Near Walden Galleria, Buffalo

FuturDepero - One aspect of the second

Saturday, June 5 18:00 during the afternoons of Art, at the CART Falconara Marittima

Silvia Cuppini and Stefano Tonti opened the exhibition: "FUTURDEPERO - an aspect of the Second Futurism .

In the event Dallari Mark will present his book The Paradox of Collalto.

On the occasion of the centenary of the publication of the Manifesto of Futurist Painting took the limelight of Politeama Chiarella in Turin, the CART - Center for Documentation of Contemporary Art in Falconara M . (AN), in the context of its exhibitions for 2010, sought to schedule a show dedicated to Fortunato Depero entitled "FUTURDEPERO - A SECOND ASPECT OF THE FUTURE".

In particular we want to draw attention to the pubblico, attraverso la presentazione di una selezione dell’opera di Depero, sulla figura di un artista che, tra gli altri futuristi ha forse interpretato, per certi aspetti, con una particolarità personalissima le indicazioni del movimento stesso e che è l’autore di icone visive che, con la conversione nella grafica pubblicitaria, sono diventate patrimonio della memoria visiva del ‘900.

Classificato nel secondo futurismo da Enrico Crispolti negli anni Cinquanta, in questa mostra, Fortunato Depero viene presentato attraverso una scelta di opere provenienti dal Mart di Rovereto (Casa d’Arte Futurista Depero) datate nel ventennio tra la metà degli anni Trenta e la metà degli anni Cinquanta, and some other significant works that supplied, covering different years testifying in a nutshell some distinctive features compared to the themes of the artist, genre and technique.
In this respect the choice of works by Depero contribute to solicit a stimulus for renewed interest in the collection present in the House Depero in Rovereto.
This, according to Professor. Stefano Tonti (project manager of CART), in order to give body to the constitutive idea of \u200b\u200bthe Centre as a place of unique educational promotion of contemporary knowledge, which will operate in synergy and in collaboration with specific art collections, museums and Civic Art Gallery (in this case with the Mart in Rovereto) as a reference to the same body, to give a good reason and a sense of structure to be spent without claiming to replace the institutions much more important and historical.

In order to this more general pedagogical prerogative of the Centre, the opening day, is inserted into the presentation of the book The Paradox of Collalto (images Pozzati Concept) Mark Dallari known educator and author of essays on 'argument, which in the past has also touched on teaching reading of the opera "The Jugglers" Fortunato Depero.

FUTURDEPERO The exhibition is accompanied by the Video Re-opening of "House of Art Futurist Depero (MartRovereto, January 14, 2009) interviews with Gabriella Belli, director of the Mart, and the architect Renato Rizzi, who designed the restoration project.

Foto De Troy Dehais Coolmusical

Simple Together

Ci sono canzoni che non vorresti mai divenissero la colonna sonora della your day - or your white night.
time, the words I have given me a better voice, and came to my stomach tightening the knot.

Then gaze falls on a beautiful red gerbera petal laid on the table: designing and dreaming is the most beautiful and painful it is in our power.
A hole on a node on a hole and a bit 'of coffee. The sadness of a cup of coffee is not empty and unused.

I just woke up and already I can not take more than this alone.

Ethics And Fair Trade

Bilan 5x2

ce post, il faut que ça soit en français.

Je regarde but promo souriante and united before the Department of Anatomy for pictures of the last day of course, the final photo of the 6 years of sweat and fatigue. I see them happy in sunny Florence, all waiting for the defense of the dissertation, all ready to be a doctor in a few months. I can not help but smile.

A year ago, I felt somewhere in me of jealousy for what they are doing and that I will do that in a year. A year ago, my choice was not so simple, not so obvious as it is now.

Choosing not keep pace with other works for me, always first, always at the top, do not come easy. Must say that I learned to accept being average, or below, for soon my course of study: a steam train from the TGV.

Intensify is a bit loose, the breakup is, that's it. It is important not to!

Only after I made my choice to intensify, more difficult choices in relation to the return of Bolivia or quit skating, that I felt relieved. Relief as I felt no more since the drives thoroughly on ice, when I came out full of blue everywhere and I was motivated to go to work Kant.

Then I left for France. And that's when I finally discovered that what seemed an insult to my father (who was frankly pleased by cons), that the whole family blamed me, proved to be a gift for my future patients. And, surprise surprise, my patients for the present. -Because I would have never thought to establishing the link between knowledge and know-how already at age 23. But things are slowly, and everything had its reason be the first time I asked the bisturí the time of my first incision.

Being demanding with myself, so meticulous, that's it my fifth time two. It's things that I never made elsewhere, that the people I met here is all that fills the pockets of every coat that I put in my life. It is this language that deceives people with me when I speak. It is this city that saw me grow more than Florence could never, and who showed me that my future can really be anywhere.

So there, then I look at my promo photo, I look at all those soon-to-be-doctors, some I would trust someone in my family with no worries, the majority of other not even a nail encharnée. I watch them, but I feel I really missed anything.

The steam train has no regrets.

Vocab Level C Unit 8 Answers

Futurism Futurism Unpublished, portraits hidden " Afternoons

Saturday May 15 18:00 during the afternoons of Art, at the CART Falconara Marittima

Stefano Papetti present: Futurism UNKNOWN, The hidden portrait .

followed by critical intervention on the exhibition "Muniz in Paris"

Unpublished Futurism - The portraits hidden is the catalog of the exhibition presented at the Palace of the Captains in Ascoli Piceno until April 2010 that it was a split route that, surprisingly, almost mysteriously, remained hidden until now to even more Connoisseurs of futurism.
The catalog presents works by Cleto Capponi, Ivo Pannaggi, Sante Muniz, Gerardo Dottori and Giacomo Balla. Fifty works, including more than 30 designs of the early thirties, owned by Cleto Capponi, artist born in Ascoli, and represent the irreverent portraits of celebrities of the time. Essential features are the sharp and sudden carved (do not forget Cleto that Capponi is also a sculptor) and high intensity of expression and introspective.

occasion there is a critical task of the curators of the exhibition "Muniz Sante in Paris", in progress at the paper until May 23, 2010, and the opportunity to visit the collection of contemporary art in the museum.

Stefano Papetti
Historian and art critic, is Professor of Museology at the University of Camerino. Director of the Municipal Collections of Ascoli Piceno, is the author of essays and articles on art from the fourteenth to the nineteenth century Marche., In prestigious journals ("Comparison", "News from the Palazzo Albani", "FMR") and has participated in the making of numerous publications relative ad alcuni aspetti poco conosciuti dell'arte marchigiana, con particolare riguardo all'iconografia sacra.

Purpose Of Anniversary

In occasione della manifestazione "La Primavera prende forma - Arte, Musica, Letteratura", presso Palazzo Pergoli a Falconara M. (An) dal 7 maggio al 5 giugno 2010, ci è gradito informare della prima iniziativa in calendario prevista per venerdì 7 maggio 2010 alle ore 18.

Presentazione del libro d'arte Faccia d'artista di Vincenzo Izzo, Edizioni Artemisia
Introduzione del prof. Stefano Tonti (responsabile Scientific Documentation Center of Contemporary Art in Falconara M.)
Speech by George Marinelli (Photographer)

Do Ear Plugs Really Work For Ear Pain On Flights

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"The thing about IS plans They Do not take Into account the unexpected, I know When we're thrown a curve ball, ITS Whether in the OR or in life, We have to improvise. Of course, SOME of us are better at it Than Others. Some of us just Have to move on to plan B, and make the best of it. And Sometimes Exactly What We Want is what we need. But sometimes, Sometimes what we need is a new plan. "