LABORATORIO PERMANENTE DELL'ATTORE A GELA...perché? 
start with. Were sent out press releases ... soon the printing material. Gela We chose to give life to the claimant permanent laboratory for several reasons. The first affection that binds us to the city (Kathleen, my wife and I Gela I breathed through her and her family a sense true, beautiful and positive belonging to the city. I speak of belonging without hysteria and radicalism. Membership, bond. As what often holds together the Sicilians to their land. Second reason: the need for cultural and artistic activities that this city - whose name circulates outside Sicily often for situations not exactly uplifting - was in her womb. Immediately evident the enormous artistic, cultural and archaeological heritage that the city owns. At this heritage often was not put together a real cultural movement - and theater in particular. Like many other cities, Gela suffering as well as internal problems including the proximity to great centers of Sicily and this attention has shifted elsewhere that could be geographically concentrated. Third reason: it is a gamble. It would in some ways easier to organize such a situation in Catania - for years I did and still do - but we have jointly decided to bet its the difficulties that such an event in such a city can give. We are an association created to combine the professional theater and acting with social commitment. Although the reasons for organizing the workshop are born from the marriage between the profession and its relationship with society. During the lessons you do not speak only of techniques and methods but also the value of a profession, ethics, principles and requirements for our modern society to have a professional of some kind. Of course, this discussion can lead us out of the theater and be valid for any kind of profession. Embee? Better that way. The theater people can not afford to live in their closed without magic bubble groped to establish contact with the reality that they live every day (and stopped to observe it with detachment from the stage). Otherwise they would not have done theater. What do you say?
start with. Were sent out press releases ... soon the printing material. Gela We chose to give life to the claimant permanent laboratory for several reasons. The first affection that binds us to the city (Kathleen, my wife and I Gela I breathed through her and her family a sense true, beautiful and positive belonging to the city. I speak of belonging without hysteria and radicalism. Membership, bond. As what often holds together the Sicilians to their land. Second reason: the need for cultural and artistic activities that this city - whose name circulates outside Sicily often for situations not exactly uplifting - was in her womb. Immediately evident the enormous artistic, cultural and archaeological heritage that the city owns. At this heritage often was not put together a real cultural movement - and theater in particular. Like many other cities, Gela suffering as well as internal problems including the proximity to great centers of Sicily and this attention has shifted elsewhere that could be geographically concentrated. Third reason: it is a gamble. It would in some ways easier to organize such a situation in Catania - for years I did and still do - but we have jointly decided to bet its the difficulties that such an event in such a city can give. We are an association created to combine the professional theater and acting with social commitment. Although the reasons for organizing the workshop are born from the marriage between the profession and its relationship with society. During the lessons you do not speak only of techniques and methods but also the value of a profession, ethics, principles and requirements for our modern society to have a professional of some kind. Of course, this discussion can lead us out of the theater and be valid for any kind of profession. Embee? Better that way. The theater people can not afford to live in their closed without magic bubble groped to establish contact with the reality that they live every day (and stopped to observe it with detachment from the stage). Otherwise they would not have done theater. What do you say? 
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