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domande frequenti sul L.P.A. laboratorio permanente dell'attore

FREQUENTLY ASKED QUESTIONS ABOUT PERMANENT LABORATORY ACTOR Question: What is PERMANENT LABORATORY OF THE ACTOR (LPA)? Answer: The LPA is a drama school where we study methods and techniques and prepare students who wish to practice as an actor or at least develop a path through the theater of human and cultural growth. Question: Who are the teachers of the LPA? Answer: Antonio Caruso and Donald Maru. Antonio Caruso is an actor, writer and director as well as teacher with over twenty years experience teaching acting. Messina, classe '67. Inizia il suo percorso legato al teatro formandosi tecnicamente alla Scuola di avviamento allo spettacolo del Teatro Stabile di Catania (1989-1991). Decide di dedicare la propria professione all'attività di ricerca nella didattica teatrale (inizialmente per le scuole statali - dal 1988 ad oggi, ha curato più di cento laboratori di recitazione per gli studenti, ottenendo importanti riconoscimenti e premi - poi per gli enti di formazione professionale, curando personalmente l'organizzazione e la direzione dei corsi di recitazione. Nel 1991 il suo personale viaggio nella scrittura teatrale. Autore impegnato, dal 1993 al 1996 partecipa a diverse manifestazioni, organizzate dalla “fondazione Falcone” e dal “coordinamento antimafia” Palermo, with works of civil commitment: "Motivation," "Anagrams," "Anti-Mafia thanks you ..."," Far away screaming. " From 1997 to 2003 his career on track by copyright trip comedy with content, "Unknown until dawn" (world premiere at "Taormina Arte" in the theater, directed by Giorgio Albertazzi and then replicated in Sicily and Rome) "Matches," "The drammaturgido. The writing style of this period saw the attempt to combine a language with strong themes always brilliant in the wake of that commitment and social culture that has pervaded the profession. Attempt to repeat successfully in two monologues: "Teresa" (1999) "What day is it?" (2000). His career switch from writing to teaching, directed by actor activity. As a director, as well as sign the direction of many of his works, texts stages of Pirandello, Brecht, Shakespeare, De Filippo, Aristophanes, Gogol, Verga. In its educational activities, among others point out, the City-lab "The Actor at the center of the theater system" organized by the city of Catania in 2000. In 2003 he held a seminar on the actor at the Faculty of Education of Catania teamed with actor Flavio Insinna. In 2007 by the design and direction Art of the "Proskenion Dionysos", a manifestation of classical theater organized in the province of Catania. He currently teaches acting at the International Musical Academy of Catania. Donatella Maru, Gela, class '73. Move the first steps with the theatrical training course organized by the "Company Scalo Dittaino theater, taking part in works like" The king dies "by Ionesco. Theatrical experience combines his many interests, social and cultural - from journalism courses in archeology, the stage of Indian dance and contemporary socio-up animation for children. Since 1997, the league's way of life and work and with which Antonio Caruso signature and artistic partnership of intent in the common vision of the theater thinking. From '97 to now directs the laboratory along with Caruso school education theatrical engagement on three hundred sixty degrees - a professor of phonetics and diction, acting, set design, costume. Takes part in the theater as an actress in several works signed by Caruso, among which: "Cavalleria Rusticana" (97), "Siciliano Triptych" (98), "Canvas and Commedia dell'Arte" (98), "People end century "(99)," So you (if you like) "(2003)," The drammaturgido "(2004)," The cap and bells "(2005). Also as an actress inter alia, to take part in "Souls" (2002), "the happiness of others" (2002), "Isabel" (2003), "Romeo and Juliet" (2003). Intense aiutoregia its activities, set designer, costume designer and stage director in the works signed by Caruso among which are: "Unknown until dawn" (1998 edition and 2004), "Men ashes and funny mysteries" (2000), " A Song for Donna Aldonza "(2000)," Dinner "(2001)," The drammaturgido "(2002)," The Birds "(2002)," Matches "(2003)," So is (if you please) " (2003), "Teresa" (2004), "Inspector General" (2005), "Think about Jack" (2007), "Dreamcity" (2007), "Two steps from hell" (2008), "One" - from Chorus Line (2008 ). But his activities behind the scenes is not merely the work signed by Antonio Caruso. In the period 2000-2003 conducts aiutoregia, lighting design and stage manager in shows signed by Federica Di Bella ("Medium", 2000 - "Angelica", 2000), signed works by Mark Longo ("Centopiùcinquanta, 2001) , and "Romeo and Juliet" directed by Rosario Minardi. Occasional dip even cinema ("History of a blackcap" - directed by F. Zeffirelli) and television ("Lab 5" - Mediaset, texts by A. Caruso). He currently teaches diction and phonetics at professional training facilities in the province of Catania. Question: What do you study? Answer: acting techniques, methods of approach to the character, supervision of a professional actor in a social context, ethics and aesthetics of the actor. In short, a lot of theory and practice a lot. Question: Where will the meetings take place? Answer: the socio-cultural center "Free Entry" of the ARCI in the Air Mauritius via Ascoli 30 at Gela. Question: How long does the laboratory?
Risposta: Per questo primo anno il periodo di lezioni va da marzo a giugno con probabile sosta nei mesi di luglio e agosto e ripresa a settembre fino a dicembre. Per un totale di otto mesi. Dal prossimo anno, le lezioni inizieranno a gennaio. Ogni allievo può decidere sulla base del proprio sentire per quanto tempo frequentare il laboratorio-scuola (la base minima di partecipazione è di quattro mesi, poi può proseguire per otto mesi, o prolungare per più anni). In buona sostanza decide l'allievo quando è il momento di interrompere il rapporto di studio all'interno del Laboratorio permanente dell'attore. Gli insegnanti ovviamente consiglieranno sulla base delle singole necessità.

Domanda: Si rilascia attestato?
Risposta: Si, frequency for the period studied and can actually be used for all normal uses of the law. It has the value of most of the certificates in this field. Almost all drama schools issue a certificate or diploma has no value because the artistic quality does not show that you're good or you're an actor, but simply identifies your training. Question: When are appointments? Answer: In general, the chosen dates are: Saturday from 15.30 to 18.30 and on Monday from 19.00 to 22.00. in the case of a large number of students will decide for the formation of a new course in hours and days to be agreed. Question: Are there limits of age? And children can participate? Answer: Yes Maximum age 30, minimum age 16. For children, enrollment will have to sign the parent who accompanies him. In all cases and for particular conditions can be waived at the discretion of the organization to the maximum and minimum limits. Question: Can I attend the lessons to be mere spectators without participating as students? Answer: There will be agreed and communicated to the public of the days when you can attend classes. Question: How do I sign up? Answer: Call the numbers 095.8202628, 347.5768457, 340.9386652 or send an email to antoniocaruso35@yahoo.it and leave a phone number, cell phone, email to be contacted for a meeting and an interview. Subsequently, if the interview will give satisfactory results, you will fill out forms with registration and payment of fees. Question: Permanent attended by students from the Laboratory of the Actor's costs? Answer: Yes Students must apply for membership to the Cultural and Theatrical Group Icarus and will pay an initial fee and monthly fees. The registration fee is € 100.00 while the share to be paid to participate mesilate is € 80.00. Question: When and how payments are made of the shares? Answer: At the beginning of each months of study. The first month you pay registration and monthly. At the discretion of the student can pay as monthly installments in advance. If for personal reasons had to stop the activity of LPA in the study will be required to surrender allowances for the months not attended. The student who does not wish to continue beyond the compulsory phase of four months is required to disclose before the start of the fifth month of study for its decision. Question: realizzaranno shows? Answer: Yes, if and when teachers deem the students in a position to participate. In case of realization of performance-wise you may request students to share additional expenses for construction wise. In any case, will be communicated promptly by the organization. Question: Completion of the study period that you have the possibility to enter the world of work in the show? Answer: It depends on the skill of the person who has completed his studies. This form school subjects and puts them in a position to evaluate themselves and what they want to be professionally in life. There is a misinterpretation of drama schools. There is no school who is the actors. Actor is a lifestyle choice rather than a profession. It is not like an employee who ended his hours of work back home and forget everything. What can be learned in a school is always a small part of what every professional stage learn through the experience of the stage and his desire to learn - for life - and always seek new and different ways. In short, everyone who chooses to be an artist. Here, a school, a good school can give you the right tools and creates the right conditions to understand that being an artist. GELA, 04/02/2009 By organizing the learning laboratory LPA actor.

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LABORATORIO PERMANENTE DELL'ATTORE A GELA...perché?

start with. Were sent out press releases ... soon the printing material. Gela We chose to give life to the claimant permanent laboratory for several reasons. The first affection that binds us to the city (Kathleen, my wife and I Gela I breathed through her and her family a sense true, beautiful and positive belonging to the city. I speak of belonging without hysteria and radicalism. Membership, bond. As what often holds together the Sicilians to their land. Second reason: the need for cultural and artistic activities that this city - whose name circulates outside Sicily often for situations not exactly uplifting - was in her womb. Immediately evident the enormous artistic, cultural and archaeological heritage that the city owns. At this heritage often was not put together a real cultural movement - and theater in particular. Like many other cities, Gela suffering as well as internal problems including the proximity to great centers of Sicily and this attention has shifted elsewhere that could be geographically concentrated. Third reason: it is a gamble. It would in some ways easier to organize such a situation in Catania - for years I did and still do - but we have jointly decided to bet its the difficulties that such an event in such a city can give. We are an association created to combine the professional theater and acting with social commitment. Although the reasons for organizing the workshop are born from the marriage between the profession and its relationship with society. During the lessons you do not speak only of techniques and methods but also the value of a profession, ethics, principles and requirements for our modern society to have a professional of some kind. Of course, this discussion can lead us out of the theater and be valid for any kind of profession. Embee? Better that way. The theater people can not afford to live in their closed without magic bubble groped to establish contact with the reality that they live every day (and stopped to observe it with detachment from the stage). Otherwise they would not have done theater. What do you say?

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stage di gennaio...una boccata di aria buona (anche se rintanati in casa)

begins a new adventure - see news below - and we comment the old adventures. Old, so to speak, because that goes back exactly one month ago. The experience of intensive workshop had been living with the enthusiasm it deserved already last summer. So in January of this other could have the flavor of the already seen. It did not happen. Would you like for different subjects, either by the different reactions of different people (even if there was a participant of the summer internship), or because the first had lived around outdoors (beach, sea, etc ....) And January of this all at home - like prisoners ... The fact is that even as this the previous stage has given us a remarkable breath of fresh air to purify the miasma of daily fact of sadness, meanness and the like. Those who chose a profession like ours in the way we live it, is ill-suited to everyday life where words like ethics, passion, imagination, capacity has been omitted from the dictionary. Unable to "guide" appropriately to the feelings experienced at that Roccazzelle 2 to 7 January. And maybe there should not even try to do it. Those good feelings, made up of young people who believe and put to the test with the pure purpose of discovering something more than if, without charts, without competition, but with the energy of the encounter between human beings ... we tenercele in Complex Our hearts and our minds. They help us to return to everyday life in a spirit of combative and full of plans. To all of you leave a few photos - which explains nothing ... because there is nothing to explain.

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A GELA, LABORATORIO PERMANENTE DELL'ATTORE

Registration is now open to take part in studies for the year 2009 of the Permanent Workshop of the actor. The laboratory is designed and organized by the cultural and theatrical ICARUS GROUP of Catania, and is the first of a series of dramatic initiatives that will be presented in coming months in the territory of Gela ICARUS Group. The laboratory was established with the intention of creating the impetus to start a process of re-cognition in relation to a profession and passion. Sarà uno spazio dedicato alla formazione e all'informazione sul mestiere dell'attore. Nel corso delle lezioni si parlerà di tecniche e metodi recitativi ma particolare attenzione sarà prestata allo sviluppo di tematiche legate all'etica dell'attore e al rapporto tra attore e società moderna. Questo laboratorio vuol far vedere ai giovani allievi anche l'altra faccia dell'attore, il suo impegno e la funzione sociale che potrebbe e dovrebbe avere, portavoce di messaggi importanti per il solo fatto di essere soggetto-oggetto di comunicazione privilegiata (sopra un palco e con una platea a disposizione). In una società che attraversa troppo velocemente grandi cambiamenti, che tende a banalizzare, globalizzare, sintetizzare, semplificare...vittima del tempo produttivo e del successo ad ogni costo, recuperare anche i significati più alti di questo mestiere, quelli legati alla passione civile, alla passione per il contatto con la gente e consapevolezza di un ruolo, può solo far del bene alle generazioni che volendosi avvicinare a questo mestiere rimangono il più delle volte abbagliate dalle immagini incomplete e vuote provenienti dai media. Il laboratorio permanente dell'attore avrà inizio nel mese di marzo e proseguirà per tutto l'anno con interruzione nei mesi estivi. Potranno partecipare giovani di età compresa tra i 16 e i 30 anni, previo colloquio con i docenti. Gli interessati non dovranno necessariamente avere precedenti esperienze professionali ma attitudine e volontà di studio currencies that are in the interview. There is no maximum number of accessions, which is why the organizers reserve the possibility of forming more than one class of participants. For the first phase will be two appointments per week. Each meeting will last at least three hours. Curators of the workshop will be Anthony Caruso (actor, writer, director with over twenty years of experience in acting) and Donatella Maru (actress, and expert education play). The association ICARUS GROUP also announced that in the coming months will be offered a course in diction and phonetic writing course and a theater. The lessons of the PERMANENT ACTOR WORKSHOP will be held in Gela on the premises of the ARCI, THE CLOUDS socio-cultural center "free" via Maurizio Ascoli 30. More information and registration: 095.8202628 - 347.5768457 - 340.9386652. Or you can send a message send e-mail at: antoniocaruso35@yahoo.it - \u200b\u200bwww.acaridicaro.blogspot.com. Notes curriculum Antonio Caruso: Messina, class '67. He began his career tied to the technical format theater at the School of starting the show of the Teatro Stabile di Catania (1989-1991). Actor, writer and director, decided to dedicate his profession to research in teaching theater (originally for state schools - since 1988, has treated more than one hundred laboratories acting for students, obtaining important awards - then for the training institutions, taking care personally of the organization and direction of the acting classes. In 1991, his personal choice in theatrical writing. Author undertook, from 1993 to 1996 participated in several events organized by the "foundation Falcone" and "coordination mafia in Palermo, with works of civil commitment:" Motivation, "" Anagrams, "" Anti-Mafia thanks you ... "" Far the screams. " From 1997 to 2003 his career on track by copyright travel comedy with content, "Unknown until dawn" (world premiere in “Taormina Arte” nella sezione teatro diretta da Giorgio Albertazzi e poi replicato in Sicilia e a Roma), “Cerini”, “Il drammaturgido”. Lo stile di scrittura di questo periodo vede il tentativo di coniugare un linguaggio brillante con forti tematiche sempre sulla scia di quell'impegno sociale e culturale che ha pervaso tutta l'attività professionale. Tentativo riuscito sia nelle opere già citate che in due monologhi: “Teresa” (1999) “Che giorno è?” (2000). La sua attività professionale passa dalla scrittura all'insegnamento, dalla regia all'attività attoriale. Dal 1995 al 2003 lega la sua attività a quelle del Centro Magma di Catania, interpretando opere as "People of the century", "Belvedere" (Joseph Mazzone), "the happiness of others", "Isabel" (texts by A. Gide). As a director, as well as sign the direction of many of his works, texts stages of Pirandello, Brecht, Shakespeare, De Filippo, Aristophanes, Gogol, Verga. In its educational activities, among others point out, the City-lab "The Actor at the center of the theater system" organized by the city of Catania in 2000. In 2003 he held a seminar on the actor at the Faculty of Education of Catania teamed with actor Flavio Insinna. In 2007, by the conception and artistic direction of "Proskenion Dionysos" manifestation of classical theater organized in the province of Catania. He currently teaches acting at the International Musical Academy of Catania. Donatella Marù: Gela, class '73. Move the first steps with the theatrical training course organized by the "theater company Dittaino airport, taking part in works like" The king dies "by Ionesco. Theatrical experience combines his many interests, social and cultural - from journalism courses in archeology, the stage of Indian dance and contemporary socio-up animation for children. Since 1997, the league's way of life and work and with which Antonio Caruso signature and artistic partnership of intent in a common vision del pensiero teatrale. Dal '97 ad oggi dirige assieme a Caruso i laboratori scuola di educazione teatrale svolgendo attività a trecentosessanta gradi – docente di dizione e fonetica, recitazione, scenografia, costume. In teatro prende parte ocme attrice a diversi lavori firmati da Caruso, tra i quali ricordiamo: “Cavalleria Rusticana” (97), “Trittico Siciliano” (98), “Canovacci dalla commedia dell'arte” (98), “Gente di fine secolo” (99), “Così è (se vi pare)” (2003), “Il drammaturgido” (2004), “Il berretto a sonagli” (2005). Sempre come attrice prende parte tra l'altro a “Anime” (2002), "The happiness of others" (2002), "Isabel" (2003), "Romeo and Juliet" (2003). Intense aiutoregia its activities, set designer, costume designer and stage director in the works signed by Caruso among which are: "Unknown until dawn" (1998 edition and 2004), "Men ashes and funny mysteries" (2000), " A Song for Donna Aldonza "(2000)," Dinner "(2001)," The drammaturgido "(2002)," The Birds "(2002)," Matches "(2003)," So is (if you please) " (2003), "Teresa" (2004), "Inspector General" (2005), “Pensaci Giacomino” (2007), “Dreamcity” (2007), “A due passi dall'inferno” (2008), “One” – da Chorus Line (2008). Ma la sua attività dietro le quinte non si esaurisce nei lavori firmati da Antonio Caruso. Nel periodo 2000-2003 svolge attività di aiutoregia , disegno luci e direttore di scena in spettacoli firmati da Federica Di Bella (“Medium”, 2000 – “Angelica”, 2000), in lavori firmati da Marco Longo (“Centopiùcinquanta”, 2001), e nel “Romeo e Giulietta” per la regia di Rosario Minardi. Importanti anche le realizzazioni scenografiche e di costumi per spettacoli. Qualche sporadico dip also in cinema ("History of a blackcap" - directed by F. Zeffirelli) and television ("Lab 5" - Mediaset, texts by A. Caruso). He currently teaches diction and phonetics at professional training facilities in the province of Catania.